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| 4698. Prudence(7) CRANDALL (Pardon6, Christopher5, James W.4, Joseph3, Joseph2, John1) born September 03, 1803 in Rhode Island; died January 28, 1890 in Elk Falls, Elk County, KS. She married Calvin Philleo; died 1874. |
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A portrait of Prudence Crandall was painted by Carl
Henry in 1981 from the original commissioned by her
supporters in 1834. The Henry painting hangs in the
Crandall Museum; the original is at Cornell University.
(PRUDENCE
CRANDALL MUSEUM)
Notes for
Prudence Crandall: |
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The school
was a great success until she decided to admit a black girl. When Crandall, a
committed Quaker, refused to change her policy of educating black and white
students together, parents began taking their children away from the school.
With the support of William Lloyd Garrison and the Anti-Slavery Society, in
March 1833, Crandall opened a school for black girls in Canterbury.
Women's history in Connecticut - Connecticut Women's Heritage Trail For educators - Teaching with Historic Places Lesson Plan series "From Canterbury to Little Rock: The Struggle for Educational Equality for African Americans," National Park Service
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Prudence Crandall was the daughter of Quaker parents who became a symbol in the cause of Negro education and abolitionism. In 1831, she opened the Canterbury Female Boarding School at the request of local citizens. A year later she admitted Sarah Harris (1815-1879), the daughter of a prosperous Negro farmer, who had completed the district school and wished to train to be a teacher. Local people were furious at Crandall's actions and attempts were made to prevent the school receiving essential supplies. There was an explosive reaction in the community, forcing the school to close. Crandall, however, was determined to do what she could "to benefit the people of color" and began to recruit pupils among middle-class Negro families throughout the Northeast for the first boarding and teacher training school for black young women. The town of Canterbury did everything it could to block her efforts. Her first trial was held in
late August. Newspapers carried long stories describing the testimony, which in
hindsight seems almost comical. Her students gave evasive answers, and visitors
to the school called as witnesses claimed they could not recall whether they'd
seen Crandall actually teaching. Finally one testified she saw Crandall giving
geography and arithmetic lessons. In the end, the jury could not agree on a
verdict. Once the school closed, Crandall exited the public stage. But her life remained eventful and immersed in trouble. In 1835, she found herself living on Philleo's small farm in Boonville, N.Y., caring for his two ailing children and trying to cope with him. She'd discovered he was tyrannical and unstable. He ran up debts, began to have lapses of memory while preaching and forbade Crandall to read books even though he had a scheme to establish a network of libraries for Baptist ministers. One family source said he suffered from "overwork of the brain." After he fell in a fit into a blazing fireplace one day and she saved him from burning to death, a friend quipped, "In an absent-minded moment, she fished him out." The friend was Garrison. While in Boonville, Crandall
learned that her brother Reuben, who had moved to Washington, D.C., had been
arrested on charges of seditious libel for distributing abolitionist literature.
His prosecutor was Francis Scott Key, who wrote the words to "The Star-Spangled
Banner." Now a district attorney and an active member of the American
Colonization Society, Key sought the death penalty against Reuben. Reuben was eventually acquitted. However, he'd been held in jail for eight months and his imprisonment may have compromised his health. Three years younger than Prudence, he died in 1838. Her father died later the same year. Her sister Almira, who'd taught with her, had died the year before. Prudence Crandall came to Chicago by ship with her nephew Obediah Crandall, who was 13, they made the trip to Troy Grove Township of La Salle County by ox cart and set up housekeeping on a farm that her father, Pardon Crandall, had purchased in 1838 and where he had built a small house. Later the two of them arranged for the construction of a larger home. Prudence soon opened a school (the Philleo Academy) for local children. In 1856 Prudence's youngest brother, Hezekiah and his family moved to Illinois. (from page 238 book Prudence Crandall by Elizabeth Yates, 1955) In 1840, Crandall and Philleo
returned to Canterbury. The political pendulum had swung so fast that Windham
County had a vigorous antislavery society and the legislature had repealed the
Black Law. But their stay was short. In 1842, Crandall left to work the farm her
father had bought in Troy Grove, Ill., just before his death. She took a teenage
nephew as a helper. Philleo stayed behind for one of their frequent separations. Pardon Crandall, "The Memorial of Pardon Crandall, of Canterbury (May 5, 1833)," published in Fruits of Colonization, 1833.THE MEMORIAL OF PARDON CRANDALL, OF CANTERBURY. To the Honorable General Assembly of the State of Connecticut, now in session at Hartford:— I would inform you that some time past, Prudence Crandall proposed and notified to open a school for the instruction of young ladies and little misses of color, in the town of Canterbury. Instead of the leading men in Canterbury coming forward to encourage an Institution designed to enlighten the ignorant and elevate the depressed people of color, they have called together a number of Assemblies and town meetings, and have passed a number of resolutions, to do all in their power to destroy the institution. Among others, was one passed at the town meeting, to appoint a committee of ten to draw a petition to the General Assembly, now convened, to prevent people of color from assembling for the purpose of getting an education, and also to correspond with other towns in the State in order to forestall public opinion for the same purpose, which petition is now pending before the General Assembly now in session. I entreat the members of the General Assembly, when acting on this petition, to remember those self-evident truths, that all mankind are created free and equal, that they are endued with inalienable rights, of which no man nor set of men have a right to deprive them. And my request is, that you will not grant the prayer of any petitions nor pass any act that will curtail or destroy any of the rights of the free people of this State, or other States, whether they are white or black. And as I am in duty bound will ever remain your humble and sincere friend; PARDON CRANDALL A Canterbury Tale: A Document Package for
Pardon Crandall, "Letter to Andrew T. Judson and Chester Lyon (May 5, 1833)," published in Fruits of Colonization, 1833.To ANDREW T. JUDSON, and CHESTER LYON—Representatives of the town of Canterbury, in the General Assembly, now in session at Hartford The great excitement that has been got up, and the ungenerous and unrighteous conduct that has been pursued towards my daughter Prudence Crandall, and her School, have given me extreme uneasiness and trouble. I have advised her often, to give up her School and sell her property, and relieve Canterbury from their imagined destruction. Not that I thought she had committed a Crime, or had done any thing which she had not a perfect right to do. But I wanted peace and quietness. I concluded once, to interfere and sell the property myself, of which I informed her. She replied— 'I do not wish to sell this property until I can get a good location elsewhere. This is a commodious house, well-calculated for my school—in a convenient place—a market, where I can procure any thing I want, at the door. It is near to the Post Office, and there is a meeting_ house near at hand. Besides all this, I have been at considerable expense for the furniture of this house; if I should now leave it, and give up my school, without having any other place to go, it would be more than a thousand dollars damage to me; and if you sell the property, I will give no title, and you must abide the consequences.' Of this I informed Col. Judson, and concluded to withdraw from the scene, and let it terminate as it would. During these transactions, a private gentleman, or a man not in office, insulted me, and said, 'you had better leave Canterbury,' and intimated that they were determined to drive us away at some rate or other. And further said, that 'when Lawyers, Courts, and Jurors were leagued against us; it would be easy to raise a MOB and tear down our house!' continuing, that 'there were a number of men in Brooklyn as well as Canterbury, who said they would come any time when we would let them know.' One of the Civil Authority, in private conversation, said, that there was a gentleman in Brooklyn, that said he would be one in twelve, to tear down Miss Crandall's house, and pay for it. A few days after this, I was in Col. Judson's office, in presence of Judge Adams and other gentlemen, and was insulted. One of the Authority said to me— 'Mr. Crandall, keep away from your daughter, or I will sue you; I had rather sue you than to sue her.' The insult I swallowed as well as I could, and modestly replied— 'Esq. Judson, I do not see any need of suing any one—the powerful committee you have got to direct a petition to the General Assembly, and the pains you have taken to forestall public opinion, will probably enable you to pass a law that will destroy the school without a series of litigations,'—to which he rather assented. I went out and found that law suits were contemplated. I said to Capt. Sanger, (one of the select men,)— 'I wish, you would not commence law suits, till after the session of the General Assembly is over. Say to the Select Men from me, that if they have no regard for any thing else, for my sake do not commence hostilities or destructive law suits, by numbering days and counting time, to continue till we are stripped of our property, and driven from our hitherto pleasant abodes in Canterbury, You have refused bonds of indemnity oven whom your own-selves have no fear of being injured. You have collected one unrighteous fine, and bill of cost; and have unlawful suits now pending before a Justice's Court; and your suits in bundles unlawful, malicious and vexatious as they are, hang over and are ready to burst upon us.' The spirit of a father that waketh for the daughter is roused. I know the consequence. I now come forward to oppose tyranny with my property at stake; my life in my hand. I enter the ship Defense. I shall reef and row as occasion may require, and try to steer so as to avoid rocks and quicksand, and if I founder at sea we will go the bottom together. At these thoughts my bosom heaves, my tears flow, and I drop my pen. PARDON CRANDALL Gilder.Lehrman.Center@Yale.edu Yale University-P.O.Box 208206-34 Hillhouse Avenue-New Haven, CT 06520-8206-Tel:(203)432-3339 Prudence's family members and husband, who roamed western Illinois, buying land at Cordova in Rock Island County arrived. Near her home, the community of Mendota was begun and Crandall watched its development. She visited new churches as they opened and attended lectures and other events, often being a speaker herself. In later years she lived in Mendota at a home that had been built on the Cordova farm for her nephew Obediah. (This house stands today and is the home of Barney Nashold, and his wife Vanessa, Obediah Crandall's descendant.) When her mother died in 1872, Prudence returned to Cordova, where she cared for her husband, who had suffered a stroke. At the Cordova farm there was a nearby grove where local people would come to picnic in the summer. It had a wooden platform where picnickers would dance to violin or accordion music, which pleased Prudence, but annoyed Calvin. She conducted a school in her home and aided the movement for women's rights. After her husband's death in 1874, she moved to Elk Falls, Kansas, where she died of influenza. A somewhat lonely figure in later life, she continued her interest in the reform movements of her day. The Connecticut legislature did penance for its earlier prosecution of Crandall by granting her a small pension in 1886. Arguments from her trials were used in the U.S. Supreme Court's school desegregation decision of 1954. Prudence
Crandall
In 1831, Prudence Crandall,
educator, emancipator, and human rights advocate, established a school which in
1833, became the first Black female academy in New England at Canterbury,
Connecticut. This later action resulted in her arrest and imprisonment for
violating the "Black Law." Erected by Kansas Historical Society & Kansas Department of Transportation. At the same roadside park is another marker: The State of Connecticut proudly joins the State of Kansas in honoring the
lifetime achievements of Prudence Crandall, educator and champion of human
rights. Crandall's courage and determination serve as examples to all who face
seemingly insurmountable odds and to those who refuse to be limited by social
conventions. To this day, her efforts to promote equality in education remains
unequaled. This plaque was made possible through the generous donations of citizens of the State of Connecticut. On October 1, 1995, by an act of the General Assembly, Prudence Crandall became Connecticut's State Heroine.
In 1833,
Prudence Crandall established the first academy for African-American women in
New England. During its 18 months of operation, Crandall and her students faced
hardships and violence. She was placed on trial twice for breaking a law
specifically designed to prevent the school from operating. In the fall of 1834,
although the charges against her were dismissed, the school was closed. Prudence Crandall: Burial: Elk Falls Cemetery
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Otis J. Crandall was a early professional baseball player with the New York Giants. Playing in the World series of 1911, 1912 and 1913 as a pitcher. Otis "Doc" Crandall Given Name: Otis James Crandall, 1887-1951 Crandall was the first pitcher to be used consistently as a reliever. Damon Runyon nicknamed him "Doc," calling him "the physician of the pitching emergency." Crandall started often, but led the league in relief appearances five seasons in a row with the Giants. He led in relief victories from 1910 through 1912, during which time he went 45-16 overall, helping the Giants win three pennants in 1911-13. A nimble fielder despite his bulky frame, he filled in at infield positions. The .285 lifetime hitter also pinch hit often. When he was sent to the Cardinals in 1913, the displeasure in New York was so great that the Giants repurchased him after two games. But he wound up in St. Louis the following year, in the Federal League, spending more games at second base than on the mound. He led the Federal League in 1915 with 6 relief wins among his 21 victories. (JK) FROM THE
BASEBALL CHRONOLOGY August 6th, 1913: C Larry McLean is traded from the last-place Cardinals to the pennant-contending Giants for Doc Crandall. One of the biggest players of this era at six feet 5inches and 230 pounds, the veteran catcher will bat .500 in the WS. August 18th, 1913: Doc Crandall is rescued from the basement: McGraw buys him back 12 days after trading him. April 7th, 1918: In the a.m. game of a doubleheader in Los Angeles, Doc Crandall's no-hit bid against Salt Lake City (Pacific Coast League) is spoiled with 2 outs in the 9th by Crandall's brother Karl, but Los Angeles wins 14-0.
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Del Crandall
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| Del Crandall was born on Wednesday, March 5, 1930, in Ontario, California. Crandall was 19 years old when he broke into the big leagues on June 17, 1949, with the Boston Braves. His biographical data, year-by-year hitting stats, fielding stats, pitching stats (where applicable), career totals, uniform numbers, salary data and miscellaneous items-of-interest are presented by Baseball Almanac on this comprehensive Del Crandall baseball stats page. (http://www.baseball-almanac.com/players/player.php?p=crandde01) |
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American Illustrator Reed Crandall (http://www.comic-art.com/bios-1/crandal1.htm) was an American Illustrator of comic books and magazines. A graduate of Newton High School, Newton, Kansas. In 1935 and enrolled in the Cleveland School of Art, graduating in 1939. He worked on several classic titles, including Flash Gordon, Blackhawk, Gunsmoke, Believe It or Not! series, Tales from the Crypt and Mad Magazine MAD. He worked on comic books from 1939 until 1973. Reed Crandall was born in Winslow, Indiana on February 22, 1917. His career in art started at the age of four when he wowed his parents with some of his earliest drawings. In 1935 he received an art scholarship at the Cleveland School of Art in northeast Ohio. After graduating, he moved to New York at the invitation of a publisher of children's books, but after illustrating just one cover, Reed left the company. He then went to work for the NEA Syndicate as an editorial cartoonist before finally landing a job at the Eisner-Iger shop on Manhattan's east side. At this time he worked alongside such greats as Will Eisner, Lou Fine, Paul Gustavson, Alex Kotsky, & Fred Gardineer. Eisner & Fine, through the distinct quality & innovative style of their illustrations were revolutionizing the comic art form, and working alongside them, Reed's work bloomed into maturity within an imperceptivity short period. It was said that his art was so good and respected at the shop that the other artists would stop work to watch Reed & look at his pages. Finally Iger told him to stop bringing his work into the office. Almost all of his output at this time went to the Quality Comics Group which published such titles as Hit, Crack, Smash, Military (later Modern) and Uncle Sam which later became Blackhawk Comics. In the beginning, one of his chores was inking Lou Fines wonderful Military Comics covers. After a few issues of that, Everett M. (Busy) Arnold, the publisher of Quality saw his beautiful fine-lined renderings, he reportedly hired him exclusively, and Reed took over the reigns of penciling & Chuck Cuidera (& probably others) inked over Reed's work. Some of the features he drew included the Ray, Firebrand, Hercules, Uncle Sam, Dollman & the Blackhawks. Those fantastic group shots of the Blackhawks fighting hordes of villains are breath-taking. Before long Reed was illustrating all of the Blackhawk & Dollman stories, which he continued to draw for almost fifteen years, with a short hiatus from 1942-44 during which time he served in the Army Air Force, where he picked up the necessary knowledge to draw the great militaria that was necessary to the Blackhawk series. Over the course of those years, the stories & art of these books became a reflection of the social & real world fears of Americans. From the Nazi & Yellow threat theme of the second World War years thru the late forties Crime comic era and into the Red Menace & Horror themes of the early fifties. When Quality scaled down their line, Reed began doing work over at EC. The artist he worked alongside here are some of the most revered names in the business. Greats like Frazetta, Williamson, Ingels, Johnny Craig, Jack Davis and the heaven-blessed Wally Wood were just some of them. The genre's he drew for crossed from SF to Suspenstory to Horror, but some think his best work here were his Piracy comic covers, two of which were homage's (or swipes) of famous Howard Pyle paintings from his "Book of Pirates". When EC & Quality both folded comic production in 1955/56, Reed did occasional work for Atlas/Marvel, Classics Illustrated (Gilberton) and shortly after Buster Brown shoe stores, who issued their own monthly giveaway comic book. The Interplanetary Police feature Reed drew in collaboration with Ray Willner was science fiction at it's best. In 1960 he landed a contract with Treasure Chest Comics & drew stories for them for twelve years doing stories & covers as often as twice a month for the bi-weekly comic. Then in 1964 he increased his workload further & we began to be treated to some the best work of his career. Warren Publishing, the publisher of Famous Monsters of Filmland - one of the most influential magazines of this hobby & many others- was about to begin with a line of horror comic titles in magazine format. The resultant titles, Creepy, Eerie, Blazing Combat & later Vampirella; were resurrections of the EC Comics horror & war titles of the fifties. Part of this resurrection necessitated the assemblage of the formers artistic alumnus. At Warren his talent had come to it's epoch, and Reed's exquisite illustrations for his gothic horror & historic war stories were poetry on paper. Whereas in the forties he employed the liberal usage of india ink to blacken open areas to negative space, to achieve the shaded effect he simply (?) would pen hundreds of small parallel lines into the panel's spaces. The effort was, like one of his early characters at Quality, "Herculean". Also in 1964, Reed through his friend Al Williamson, acquired work at Canaveral Press where he drew bookplates & covers for the Edgar Rice Burroughs characters "John Carter" and the legendary "Tarzan". Unfortunately, Canaveral folded before Reed's entire output for them was published & many great pieces were left to languish in the pages of fan publications. A little while later, after Williamson left the King "Flash Gordon" comic, he drew several issues of the title. Unfortunately, by the late sixties his work began to show the effects of years of alcohol abuse & Reed's age until finally his illustrations of the anatomical form, which was once his greatest strength, slowly took on the deformed look of less talented artists, and finally in 1973 his last contribution to comics was published in Creepy #54 (This Graveyard is Not Deserted). And his long and illustrious career in comics, which had spanned more than thirty years, had ended. In 1974, Reed began working as a janitor & night watchman with Pizza Hut in Wichita, Kansas. After suffering a stroke in 1975, he settled into a rest home for the elderly where he spent the next seven years until a massive coronary ended his life on September 13, 1982.
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Animator Roland C. Crandall is credited in the 1993 Paramount Productions cartoon of "Betty Boop" as "Snow White" and did some early Popeye cartoons. Military: They have served in every US war and conflict with more than 55 serving during the American Revolutionary War. One was a bodyguard for Gen. George Washington, with others being at battles of Bunker and Yorktown. They served during the War of 1812 and the Mexican War. During the Civil War, they participated in almost all the major campaigns including, Chancellorsville, Chickamauga, Gettysburg, Federicksburg, Manassas, and Wilderness. At least one was in Sherman's Corp for the March to the Sea and at Appomattox Court House upon Gen. Lee surrender. One served as a Captain of the Buffalo Soldiers. One was part of the 7th Cavalry under Gen. A. Custer, surviving the attack by having been dispatched before the battle to request more troops. They served in the trenches and skies of France in WWI. During WWII they saw action in both the Europe and Pacific theaters. They were on the beaches of Normandy, and Iwo Jima and in the snow during the Battle of the Bulge. They have served in Korea, Vietnam, Desert Storm and are currently serving in Iraqi Freedom. |